Thursday 26 May 2016

Amsterdam

May 2015

Our third visit to Amsterdam was lovely; it's an easy-going city perfect for a short break and we always have a great time. Our previous visits have been in winter so a trip in spring is a welcome change, especially as on our first trip coincided with frozen canals and the lowest temperatures for 20 years. One of the main reasons we've come back again is to visit the newly refurbished and fully reopened Rijksmuseum as well as to enjoy a much needed holiday. Usually we opt for the Iamsterdam city card, but this only gives a 10% discount for the Rijks, so planning ahead I discover that there is also the 30 day Museumkaart which will get us in to everything the city card does, plus the Rijks, for free. Alongside a four-day travel pass from GVB it works out at much better value all round. Armed with this information and a clutch of train tickets we set off from Fratton on a promisingly sunny morning.

Booking a through ticket via Eurostar.com is both simple and usually excellent value as the Fratton to London portion can be very much cheaper this way and is valid for travel from whatever terminal you arrive at, across London, to St Pancras. However, every time we approach the underground clutching our Fratton to London International tickets, we are ever more certain that they will fail to open the barrier and we'll have to show them and explain ourselves to the busy TFL attendant to let us through. And then of course, out again. Why this should be is beyond me but these frustrations aside, boarding the Eurostar is as straightforward as ever and we're soon on our way.

Brussels midi station is still a bit on edge after the recent attacks, so the usually convenient escalator down from the Eurostar platform is closed.  We end up working our way around and down to find the Thalys departure area where no-one is as sure as our Eurostar train manager was as to which platform the train to Amsterdam will be leaving from. Twenty minutes, we are told, and all will become clear. Hanging about for this revelation in a rather stark waiting room is fine but there's no departure board in there or indeed any other information source so we're taking turns to check the board before our train appears proving the Eurostar announcer right all along. However, there's a little more confusion as we're initially directed towards the wrong train but a very helpfully strident platform assistant points everyone across to another Thalys arriving on the other side of the platform and we're soon hurtling through Belgium at speeds far in excess of those managed by even the fastest UK trains. A standard class seat in a Thalys is also much more comfortable, even if the much trumpeted WiFi is patchy at best.

Arriving in Amsterdam I realise my complacency in having been twice before means my planning has fallen short of actually getting to the hotel, I haven't even brought a map, so after buying our travel chipkaarts there's a few minutes working out where the hotel is exactly and what tram we need to catch to get there.
The hotel is in a very nice area by the Vondelpark and looks quite promising from the outside but once inside things get different very quickly. We have to pay in advance which is never a good sign, and there's no lift. We're on the third floor. Struggling up the increasingly steep stairs I manage to knock a picture off the wall before the stairs turn up the final flight almost vertically. The bed is great but the bathroom is pokey and a bit worn and, get this, we share a window with next door!

Tuesday

Breakfast is not included and at an extra €10 per person, not worth it, so we head off towards Museumplein for on the way is Bagels and Beans where we enjoy a fresh and tasty.breakfast in a funky setting before our visit to the Stedelijke, which is rapidly becoming my favourite modern art museum. Alongside the regular and intriguing exhibits there's a special exhibition of the Amsterdam School, the architectural style movement looking a lot like the bastard child of Charles Rennie Mackintosh and the Vienna Secession and absolutely fabulous.


Lunch is at our favourite old style (but actually modern) café up by the Blauwbrug. We discovered its welcoming embrace during our first visit that freezing February and spent half the afternoon lounging on their sofas drinking coffee and mulled wine and stroking the cat before venturing out into the cold again. Now unfortunately cat-less, it's still a nice place to go and we enjoy a fine sandwich before heading back to Foam, the photography gallery, where there's a couple of  thought provoking interpretations of the migrant crisis.

Our first two evenings have followed much the same course; beers at Het Hok before traditional Dutch fare at the very popular The Pantry two doors down. ''Traditional" here means various flavours of mash with a smoked sausage or giant meatball alongside other hearty cooking like ham hock and beef stew. The food is delicious and the atmosphere convivial.

Wednesday

Wednesday is all about the Rijksmuseum. Well, nearly all.
It's another sunny day as we stroll across Museumplein past the holocaust memorial and iamsterdam sign. The entrance to the museum is through the basement so, skipping the queues with our museumkaarts in hand, we dive in.

We spend more than half the day exploring the newly and brilliantly refurbished Rijks. And while much attention is focused on the "Gallery of Honour" with Rembrandt's Night Watch taking centre stage among some of the greats of the Dutch Golden Age, the lower galleries house examples of some of the most exquisite craftsmanship you can imagine and there are other stunning works at every turn. The museum displays are well organised, by date mostly, but it's worth taking some time to plan your way around as it's not necessarily obvious which is the best route to take. The first floor, for instance, is in two unconnected halves as the roadway cuts through it. All things considered it's a brilliant way to spend a few hours even if the lavatories are harder to find than you'd prefer.

After a late spot of lunch we head off across the city so we can visit Rembrandt's House again. Our route to Waterlooplein takes us for the first time in three visits along the metro, which is as clean and efficient as you'd expect and after a wander through the flea market we arrive. To my mind Rembrandt van Rijn was something of an alchemist with paint and a trip to this house museum is always a joy, for me at least. Today we are in time for the paint mixing demonstration and we discover they've recently opened the top floor showing the studio space his students would have used, and in the new building there's a great exhibition of nudes drawn by him and his contemporaries too.

Across the road is a bar on the canal and a much needed beer is enjoyed while watching the boats pass by. On the opposite corner of the canal, nesting in a half submerged boat, is a family of cootes and unfortunately one chick has got out onto the water. One of the parents desperately tries to persuade it back into the boat, a task seemingly beyond the chick's capabilities - the side of the boat is a good foot out of the water - unfortunately all to no avail as a seagull swoops down and carries the youngster away. Nature red in tooth and claw, so to speak, was not what we were expecting in this quiet corner of Amsterdam!

Today is also the day in the Netherlands when they remember the war dead. There's a two minute silence at 8pm and a big gathering in Dam Square with the King attending, which is throwing the tram schedules well out of whack and we end up walking most of the way back to the hotel for a rest before dinner. We've booked at the Koffiehuis van der Volksbond where we've dined on previous trips and it's just as lovely as before, even if it's a bit weird being there in daylight on a warm spring evening. A perfect end to the day.

Thursday

The following day is Liberation Day, a public holiday, and the crowds are out in force on another beautiful sunny day. We wander up to Dam Square with a view to seeing the World Press Photo exhibition at the Niewe Kerk but it doesn't open until the afternoon so we visit the fairly dull royal palace instead before pottering about the city centre and having a beer by the Niewe Maarkt.

After returning for the photography exhibition and some coffee and cake we decide it's high time we took to the water. There are boats of all types and sizes thronging the canals and more than one collision but it's wonderfully relaxed and good humoured and we have a ball.

Dinner is at a nice little restaurant in the centre that our friends have used before. There are no reservations taken at this very popular place so timing is everything. We get one of the last tables and enjoy a decent meal with excellent service.

Oh, and if someone offers you a Dutch salted caramel lolly just politely decline. If you don't, at some point later your mouth will be filled with the most hideous liquorice powder and you'll be left gagging into a nearby canal.

Friday


Friday morning sees us grabbing breakfast in a café near the station before catching the train home. Brussels' Eurostar experience is about the most relaxed of the three principal stations and aside from a brief stop at Calais, completing the set, we're back in London by (late) lunchtime. We're travelling back to Portsmouth via London Victoria and thanks to the ongoing disorganisation of British railway operators we stand, necks craned, staring at the departure boards for an eternity until just five minutes before departure it finally shows us which platform our train will be leaving from. This, naturally, precipitates a mad rush for a seat in the right part of the train before we can settle down for the final leg home.

Carbon saved: 50kg








Friday 29 April 2016

Southend on sea

April 2016

Not strictly a proper train journey as we drove to Essex to visit some childhood haunts and attend our last ever Bellowhead gig, but we did take the chance to ride the Southend pier railway while we were there. Southend pier is the longest pleasure pier in the world at a mile and a third, stretching out into the Thames estuary and its trains trundle back and forth every 15 minutes to the café and lifeboat station at the end.





Then there was the added bonus of the "Cliff Lift", a short funicular from the seafront to the top of the cliff gardens. In fact the only downside to the whole day was the absence of the tutti fruiti ice cream I was looking forward to.


We're off on our travels again next week, back to Amsterdam by Eurostar and Thalys, so more soon.


Wednesday 23 March 2016

Danubian Adventure - part two; Vienna

Day six of our holiday dawns and we're off to Vienna, picking up our tickets, first class this time, from the automatic machine at the station. The weather's turned, there's rain in the air, which by the time we reach the border is hitting the ground pretty hard. Budapest and Vienna are within spitting distance of each other and we roll into the Westbahnhof before lunchtime. Our hotel is six stops on the metro, near the Donaukanal. It looks a bit 1970s from the outside but is very comfortable and with a metro and tram hub right outside, handy for everything. The rain has eased and we wander into the centre and have a look round. I'm trying not to burst into song but there's a post-downpour mistiness and the steady beat of a synth drum in my head.

Just around the corner from Stephanplatz and its dark and brooding St. Stephen's cathedral, so different from its Hungarian namesake, is the Mozarthaus and we go in just as the rain restarts. The composer looms large across the cultural landscape of Vienna but despite this ubiquity we later manage to buy a small bust of Beethoven for our souvenir by mistake!
The museum is a fascinating tour through Mozart's life and times in one of his many Viennese houses with scores, a few instruments even some original décor. It also sets the record straight on the Salieri controversy. The rain has stopped again by the time we leave.

We've scouted out three options for dinner just round the corner from the hotel, but one of them is shut and another doesn't appear to be there any more so we head into the third. It advertises traditional Austrian fare and I'm down for an authentic Wiener schnitzel followed by apfel strudel. Obvious but so tasty. Sarah's main course comes in two halves it's so substantial. It seems a really genuine place, there's an old man and his very small dog at a table by the door and the patron is very friendly. We like it so much we eat here both nights.
A post dinner wander finds us back at the Stephansdom where an art installation is being projected on to the façade, and we stumble across a statue of Johannes Gutenburg, father of modern printmaking and arguably one of the most important figures of the second millennium.

Our second and only full day in Vienna is one filled with art and cake. It's bright and sunny again and we spend the morning in the MuseumsQuartier, principally visiting the Leopold Museum of modern art and being blown away by its brilliant Schiele exhibition as well as a well curated tour through the Vienna secession. After lunch and a quick tour round MuMoK it's time for a little more tradition.

We head off across the Burggarten towards the Opera, pausing to admire the large Mozart statue, and onward to the Café Sacher because today's afternoon tea just has to be the world renowned Sacher Torte. It doesn't disappoint. Wedges of chocolatey, cakey loveliness duly consumed, we catch a tram around the inner ring back to the hotel. It's been a few weeks since Eurovision and Conchita Wurst's famous win, but the trams are all decked in rainbow flags alongside the city standard.


The plan for our early evening entertainment before dinner is to visit the Wiener Riesenrad - cue bouzouki music...

We enter the park and the sounds of Mozart hit us again, this time accompanying the dodgem riders. The Ferris wheel dominates the otherwise modern amusement park and we buy our tickets joining the thankfully sparse queue. Halfway round it gets a little rocky and my hand gets a bit crushed as the vertigo strikes. Otherwise, it's a thrilling end to the day.

Our final day in the Austrian capital is even busier, even though our train leaves that evening. After dropping our bags at the station we spend the morning at the Hofburg Palace with its ridiculous displays of opulence and wealth. There's a museum devoted to the royal silver collection, elaborate place settings and the finest porcelain the Hapsburgs could plunder and a very interesting exhibition on the life of the Empress Elisabeth.
We pass out through the stables of the Spanish riding school, catching some of the white horses being groomed, and on to the Albertina gallery - also part of the palace complex. Curiously there's a large pink rabbit on the canopy and we decide to go in. This last minute decision to visit turns out to be very serendipitous as it's one of the rare occasions that the extraordinary Albrecht Durer drawings are on show, hence the rabbit. But that's not all, the whole collection is stunning.



We had planned to finish off the day at the market getting provisions for the evening, but first we visit the Secession Building. A stunning architectural statement and exhibition space it also houses Klimt's famous Beethoven Frieze. It's breathtaking.
Alongside the market, Vienna's version of the Hollywood walk of fame, the Musik Meile, is little more classy than its American counterpart, a succession of the great and good of classical music are represented; we spot Strauss, Berlioz, Tchaikovsky, Beethoven and of course Mozart before we wander off and spend a small fortune on our train picnic. There's a bar with a massive bottle of Aperol on display so we sit a while with a spritz but find we still have a couple of hours spare. We decide to bite the bullet and cram one more sight in so head off to the Belvedere Palace, a large gallery housed in the former summer palace of Prince Eugene of Savoy. It's a little way out of the centre and I have a minor internal panic about missing the train but half way round the tour is the reason we came; a heart-stopping room full of the most sumptuous works of Gustav Klimt. There's a small crowd gathered at the far end and as they move away, there it is; The Kiss in all its golden glory. A fitting climax to a wonderful trip, and one we nearly missed.

Vienna is so beautiful and we're sad to leave but the Cologne sleeper pulls out at 21:40 and we have to be on it. As we wait at the station we're briefly tempted to get back on a train to Budapest but we restrain ourselves and board the EuroNight train as planned. We tuck into our picnic with a glass or two of a tasty red and are asleep not long out of Linz. After a restful night, breakfast is taken as we speed along the beautiful Rhine Valley, waving to our friend Marlene in Remagen as we pass.

We have the rest of the morning to kill in Cologne and as it's right there by the station we visit the famous cathedral before joining the Brussels express for the Eurostar home.

Carbon saved: 210kg

May 2014